Reading Comics: How Graphic Novels Work and What They Mean

Reading Comics: How Graphic Novels Work and What They Mean Review

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Suddenly, comics are everywhere: a newly matured art form, filling bookshelves with brilliant, innovative work and shaping the ideas and images of the rest of contemporary culture. In Reading Comics, critic Douglas Wolk shows us why this is and how it came to be. Wolk illuminates the most dazzling creators of modern comics-from Alan Moore to Alison Bechdel to Dave Sim to Chris Ware-and introduces a critical theory that explains where each fits into the pantheon of art. Reading Comics is accessible to the hardcore fan and the curious newcomer; it is the first book for people who want to know not just what comics are worth reading, but also the ways to think and talk and argue about them.

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Comics, Manga, and Graphic Novels: A History of Graphic Narratives

Comics, Manga, and Graphic Novels: A History of Graphic Narratives Review

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Comics, Manga, and Graphic Novels: A History of Graphic Narratives Feature

Graphic narrative art is a fascinating phenomenon that emerged centuries ago with the expansion of literacy and the publication industry. The earliest example of a repeating comic character dates back to the late 1700s. By following the growth of print technology in Europe and Asia, it is possible to understand how and why artists across cultures developed different strategies for telling stories with pictures.

This book is much more than a history of graphic narrative across the globe. It examines broader conceptual developments that preceded the origins of comics and graphic novels; how those ideas have evolved over the last century and a half; how literacy, print technology, and developments in narrative art are interrelated; and the way graphic narratives communicate culturally significant stories. The work of artists such as William Hogarth, J. J. Grandville, Willhem Busch, Frans Masereel, Max Ernst, Saul Steinberg, Henry Darger, and Larry Gonick are discussed or depicted.

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I, Sniper: A Bob Lee Swagger Novel (Bob Lee Swagger Novels)

I, Sniper: A Bob Lee Swagger Novel (Bob Lee Swagger Novels) Review

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I, Sniper: A Bob Lee Swagger Novel (Bob Lee Swagger Novels) Feature

Four famed '60s radicals are gunned down at long range by a sniper. Under enormous media scrutiny, the FBI quickly concludes that Marine war hero Carl Hitchcock, whose ninety-three kills were considered the leading body count tally among American marksman in Vietnam, was the shooter. But as the Bureau, led by Special Agent Nick Memphis, bears down, Hitchcock commits suicide. In closing out the investigation, Nick discovers a case made in heaven: everything fits, from timeline, ballistics, and forensics to motive, means, and opportunity. Maybe it's a little too perfect.

Nick asks his friend, the retired Marine sniper Bob Lee Swagger, to examine the data. Using a skill set no other man on earth possesses, Swagger soon discovers unseen anomalies and gradually begins to unravel a sophisticated conspiracy -- one that would require the highest level of warcraft by the most superb special operations professionals. As Swagger penetrates the deepest secrets of the sniper world and its new technology, Nick stands firm in the face of hardball PR initiatives and an inflamed media calling for his ouster.

Swagger soon closes in, and those responsible will stop at nothing to take him out. But these heavily armed men make the mistake of thinking they are hunting Bob, when he is, in fact, hunting them.

I, Sniper will satisfy Stephen Hunter's legions of fans and win him droves of new ones with its signature blend of brilliant plotting, vivid characters, razor-sharp dialogue, and extraordinary gunfights. And when Swagger and the last of his antagonists finally face each other, reenacting a classic ritual of arms, it is clear that at times there's nothing more necessary than a good man with a gun and the guts to use it.

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